I often find myself lamenting over the lack of artistic community in the Big Apple. Tales of Hemingway’s Paris and Warhol’s New York taunt me with visions of tabacs crowded with writers and and warehouse walls lined with silkscreen. I’m sure those good old days were not the collaborative bohemias that sparkle in my imagination. Yet I can’t help but yearn for a creative community, one eclectic and unpretentious, exchanging ideas and cigarettes, paintings, songs, scripts.
One Monday night a month, at the Undiscovered Countries Festival, I can live my dream. This so-called “infinite festival,” founded by Joe Faustine, puts up an evening of brand new work one Monday night a month, at a hipstery joint in Bushwick appropriately called Goodbye Blue Mondays. Anything goes in this festival: musicals and readings, solo works and music, all of which span a wide range of style and talent. But in that regard, it is a true festival of new works, offering a home to both the rough and the refined. Submission is simple, devoid of politics, and the whole thing is free of charge for performers and audience alike. What more can you ask?
The Infinite Festival’s history is a true Brooklyn dream. Faustine, a Bushwick resident, noticed a great stage in his local bar and asked for one night a month. New art gets a free venue; a small business makes money on a Monday night: the perfect arrangement. And this bar is an ideal spot for an evening of casual performance. The walls are covered with strange sculptures and vintage bric-a-brac and the beer is cheap enough by New York standards. It’s chic. It’s grungy. It’s the New York Parisians dream about (take that, Hemingway).
What makes this festival incredible (and sadly, what makes it unique) is its complete lack of arrogance. There is no critique, analysis, or judgment clouding the air. Rather, Undiscovered Countries is, at heart, a gathering of friends with a desire to witness and celebrate one another’s newest works-in-progress. The Undiscovered Countries team of organizers (Barbara Begley, Kaela Garvin, Joe Faustine, Kirsten Frisina, Amy Yourd) has started something truly unusual and laudable amongst New York’s fiercely self-promoting artistic landscape. Rarely does one encounter young, start-of-career artists willing to invest time in cultivating the art of peers. Yet these five theatre makers, understanding the value of this exchange, have the humility and maturity to pull it off.
Check in with the festival’s facebook page for next month’s lineup. Or, submit yourself…